Almost all medieval feast foods were conveyed to the mouth by elaborate, and often elegant, finger choreography…However, both pinky fingers were extended, never touching food or gravy or sauce, reserved as spice fingers. Dipped into the salt, sweet basil, cinnamoned sugar, or ground mustard seed, then raised to the tongue, the spice fingers displayed a feaster’s digital finesse while adding another sensual pleasure: touch of food’s texture.

Some modern polite extensions of pinky fingers, serving no physical pur­pose, are cultural remembrances of medieval spice fingers. In fact, a medieval clerical encouragement for use of the fork was to eliminate the pleasure of touch. The fork was generally ignored until the late 16th century as a super­fluous and foppish metallic intrusion between sensual food and willing mouth. 

-Historian Madeleine Pelner Cosman

image: The Marriage Feast At Cana, traditionally attributed to Hieronymus Bosch

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Claude Monet - Poplars on the Banks of Epte

“The Lost Love”, Auguste Toulmouche.

(via welovepaintings)

Paul Sérusier, Woman in a Street, 1891

(Source: cavetocanvas, via rosebiar)

Montague Dawson, A Roll to Loo’ard, 1956

(Source: welovepaintings)

Jan Vermeer - The Art of Painting [1666-68]

The Two Princes Edward and Richard in the Tower, 1483 | by Sir John Everett Millais1878, part of the Royal Holloway picture collection

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Portrait of a Young Woman, Élisabeth-Louise Vigée-Le Brun

(Source: labellefilleart)

Biondina, Lord Frederick Leighton

(Source: labellefilleart)

Portrait of a Woman in a White Dress, Charles Courtney Curran

(Source: labellefilleart)

 A Mother and Child Entering a Cottage, watercolor by Helen Allingham, 1848-1926, British watercolor painter and illustrator known for her paintings of English cottages during the Victorian era.

 She illustrated two notable books, The Homes of Tennyson by Arthur Henry Patterson and Happy England by Marcus B. Huish. 

(via athousandwinds)

 Dutch Street Scene, oil on canvas, 1858, by Adrianus Eversen, Dutch, 1818-1897. This painting is in the Cheltenham Art Gallery and Museum in Cheltenham, Gloucestershire, England.

  Eversen was popular during his life and exhibited at The Hague. His paintings have artistic and historic merit as they show Dutch people of all walks of life going about their day. He also accurately painted the architecture of Holland and specialized in cityscapes.

(Source: athousandwinds)

Autumn, oil on canvas, 1946, by John Arthur Malcolm Aldridge, British, 1905-1983. The painting is in the Arts Council Collection in London, England. 

(Source: athousandwinds)

 Stitching the Standard, detail, 1911, by Edmund Blair Leighton, British, 1852-1922, historical genre painter.

 Edmund was a son of Charles Blair Leighton, also a portrait and historical painter.

(via rosebiar)

VOS, Cornelis de

[Flemish Baroque Era Painter, ca.1584-1651]

Magdalena and Jan-Baptist de Vos
c. 1622
Oil on canvas, 78 x 92 cm
Staatliche Museen, Berlin

(Source: lyghtmylife, via rosebiar)